The Heavenly Clock — A Gugak Musical
- Dates
- Jul 2 – Jul 11, 2004 / Jan 31 – Feb 12, 2006
- Venue
- Arts Council Arts Theatre / Seoul Arts Center CJ Towol Theatre
- Director
- Bang Eun-mi (associate director: Hong Sang-jin)
- Playwright
- Kim Nam-chae
- Composers
- Seo Hu-seok, Park Su-hwan
- Music director
- Seo Hu-seok (2004), Shin Gyeong-mi (2006)
- Choreography
- Oh Se-ran
Selected by the Ministry of Culture and Tourism Traditional Performance Development Programme (2004), the Korea Science Foundation (2004), and the Arts Council Korea (2005), and for the Korea Culture & Content Agency digital single programme (2005).
“Star-crazy fool” — our musical, The Heavenly Clock
King Sejong and Jang Yeong-sil: an epic of the heroes who made Joseon prosperous and strong, and a love for just one person. The proud history of the sage king Sejong and the great figures of Joseon is born as a musical — and has grown beyond the hopes of its 2004 premiere into a fully original Korean musical.
Set in the reign of King Sejong, when Korean science and culture flourished most, and based on historical records of Jang Yeong-sil, a genius scientist born a commoner, it shows with gusto how he overcame the pressure of great powers and a society steeped in deference to them. What is the meaning of the star engraved on every one of his inventions?
The heart of the musical is Yeong-sil’s one love, Ye-seong — a heartbreakingly beautiful story. His love for her is carved as a star into each invention.
At its 2004 premiere it drew attention as the world’s first musical composed entirely in the Korean traditional music idiom, played live by an eleven-piece gugak chamber ensemble, and was praised as a new attempt that showed the potential of Korean original musicals. In January 2006 it was reborn with more dramatic and varied music, refined dance, a fantastic chorus and court dances such as Bongnaeui, the Jinju sword dance and the flower-crown dance, alongside dynamic flag and taekkyeon dances. Recreated on stage through song, dance and set design, Jang Yeong-sil’s masterpieces delight audiences, as the show steps out of the shadow of imported musicals to champion a truly homegrown one.